Contest for Best Photography in the (One Life) World

Hi all,

I have some personal thoughts about my role documenting Africa, the Motherland.  Click the link below to read my personal perspective and while you're there, vote for my photos.  The One Life Photography Competition will give winners a New York City photo exhibition and a $25,000 cash grant!

Click "Collect Me" HERE...or http://lisarussell2.see.me/onelife2012#.T_NtnuBaPXM.blogger

New Documentary Film to Premiere (Please share!)

I am someone who adamantly hates being a slave to my cell phone.  Yet, I've come to the realization that cell phones will revolutionize women's healthcare, particularly on the African continent.

With that said, I'm very excited to announce the World Premiere of a new film I've completed on the use of mobile phones in assisting women in Tanzania suffering from a childbearing injury called obstetric fistula to receive free treatment.

The film, entitled "Mobile Phones + Fistula:  What's Next?", co-produced with UNFPA and the Campaign to End Fistula, will debut at the historic Zanzibar International Film Festival (ZIFF) - East Africa's largest film and music festival taking place July 7-15, 2012.  The film has also been accepted into the Women's Panorama program which takes select films and screens them in the villages in Zanzibar.

For more information about exact screening times and subsequent screenings, please subscribe to this blog or join our Facebook Film Page at http://www.facebook.com/MobilePhonesFistulaFilm

You can read the film synopsis below.

FILM SYNOPSIS:

Around the world, nearly 350,000 women will die each year in childbirth.  Of those who survive, 50,000-100,000 will develop a horrific childbearing injury called obstetric fistula which leaves women incontinent and shunned from society.

Although in many countries free treatment for fistula repair is available, the majority of women living with fistula cannot afford the transportation to the hospitals providing the treatment.

In Dar es Salaam, Tanzania, an innovative mobile phone program at the CCBRT Hospital is allowing funds to be transferred through the mobile banking service, M-PESA, to 'community ambassadors' who assist in identifying and facilitating transportation for women suffering from this condition.  Since the founding of the project in 2009, there has been a 65% increase in the number of surgeries performed at CCBRT.

"Mobile Phones + Fistula:  What's Next?" is a new documentary film by Emmy-winning filmmaker, Lisa Russell, with support by UNFPA and the Campaign to End Fistula.  Shot on location in Tanzania, the 15-minute film documents the life-changing program at CCBRT and includes testimonies from women living with fistula, community ambassadors, fistula repair surgeons, and fistula advocates.  The film, which will be distributed in both English and eventually Swahili, will be used to inspire replication of this good practice as well as develop new ideas about using mobile phones to reach women and girls living with fistula in the future."

"Mobile Phones + Fistula: What's Next?" will have its World Premiere at the historic Zanzibar International Film Festival and will be part of the Women's Panorama program.  It will then be available for screening events globally and hosted online.

For updates about the film, join our Facebook Film Page at http;//www.facebook.com/MobilePhonesFistulaFilm 

Genre:  Documentary Short

Technical Data:  HD, Color

Running Time:  15 minutes

How I Get Music for My Films

Those who know my work have come to appreciate the great lengths I go to to get good music for my films.  Most of the time I try to get music from artists who represent the country I am shooting in.  As music can become a pretty expensive line item in a film budget, I try to negotiate with the artists or labels something in exchange for their contribution.  Sometimes the content of my films alone (many are humanitarian based) will do,  Then others come up with some sort of bartering offer which I usually jump on - exchanging shooting for music. 

Case in point... I went out for my birthday a few weeks ago to a spot in Williamsburg called Zebulon and a great band was playing.  The vibe was high energy and the crowd was movin' and groovin'.  I knew the lead singer had to be from West Africa but didn't know where.  I was pleasantly surprised to learn that he was from  Sierra Leone where, in February, I shot a film on how solar power is saving women's lives and I still need music.

I contacted the manager who put me in touch with Luaka Bop, David Byrne's label.   I know this label well considering it was the label that my friend and creative partner, Zap Mama, was on at the time I was looking for music for my film,  LOVE, LABOR, LOSS on obstetric fistula in Niger.  Working with Zap Mama taught me the power of working with performing artists in the distribution phase of my films that I utilize to this day.  And the philosophy is one I share with my incredibly talented friend and comrade, Maya Azucena, that has culminated in some interesting collaborative projects.

So, Luaka Bop agreed to let me use the music from the band - Janka Nabay and the Bubu Gang -  in exchange for shooting some interview and b-roll of the lead singer who has an incredible story of growing up in war-torn Sierra Leone and found his way to music as his salvation and his career now here in NYC.  I loved this!

Now, not every label will be as cool as Luaka Bop but my point is, it's worth looking into.  You have to realize that some artists will benefit from being aligned with your film because you're reaching an audience they may not otherwise reach.  I try to add other incentives - like linking to their site from my film site, offering to distribute their promotional materials at my screenings, inviting them to speak at the screenings and so on.  Think from the perspective of the artist or label - if they aren't getting money from you, how else can they benefit from aligning with you?

Here are some photos from the shoot.  I'll post the video when it's done.  For those of you who live in NYC, they are playing a free show at the Fort Greene Park on July 10th.  I highly suggest you check them out!

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How to Shoot on a DSLR in Africa

My upcoming film "Mobile Phones + Fistula:  What Next?" that documents the use of mobile phone technology to help women living with obstetric fistula in Tanzania access free fistula repair treatment, was the first time I shot a film on HD using the DSLR camera.  I learned A LOT - made some mistakes - and wanted to share them here.

The camera I used was the Canon EOS Rebel T2i and I used a separate audio source.  I don't normally have a second person with me, but this trip I worked with an audio professional who assisted me with second camera and sound.  I ended up bringing my Panasonic HVX 100 and used the p2 cards with a Seinnheiser lavalier set and/or Rode shotgun mic to capture sound.  I had heard about the audio syncing software, PluralEyes, that would sync multicamera audio in post production so I could take the beautiful images from the DSLR and match them to the sound off the Panasonic.  So, I left for Tanzania, hoping for the best.

The first problem I encountered was adapting to using a still camera as a video camera.  I shoot in a very run and gun style, in sometimes very rugged and hot environments in the different African countries I primarily work in.  With the DSLR camera, I wasn't able to manuever the camera in all sorts of directions that I'm accustomed to because I couldn't SEE what I was shooting (the LCD screen is static on the back of the camera.)  I also had a hard time figuring out if I was in focus or not.

Another issue I had to get accustomed to is the fact that the camera will shut off if it gets too hot.  Although some resources state that this won't happen if you use fast memory cards and use a normal work flow, this wasn't the case for me.  If interviewing, I had to remember to turn the camera off and back on again regularly (and I tried to do this while I was asking a question so not to clip the interviewees voice.)  It was sort of a hassle bc of letting myself get immersed in the interview, I had to constantly keep my eye on the timecode. 

In addition to this, the batteries die relatively quickly.  I only had three spares (the same I bring with me when using the HVX) and I couldn't go a full day without having to recharge.   This was not easy considering I was working in hospitals and rural areas where access to an electrical outlet wasn't always convenient.

Then there is the data management aspect which is challenging enough to do with even two people, let alone myself.  When the cards were full, I had to dump them onto my computer and hard drive.  I tried to dump the p2 material at the same time so I could keep it organized.  I would label folders by the dates that I would shoot. Sometimes I would go through 3-4 cards in a day so had to remember to label them Feb 21a, Feb 21b, etc.  This took a considerable amount of time and organizational focus which often times would distract me and pull me out of the conversations and the content I was capturing with my subject matters.

And finally, the thing that is most stressful about shooting on these cameras - is the fact that you don't have a hard tape as a master.  Once you dump your footage, that's it.  You wipe the card clean and if your hard drive or something fails, you lose it.  So, every night at my hotel, I would have to remember to do a second save - as the back up.  Unfortunately, one of the worst of all things happened to me while shooting - I lost a 32gig card.  Thankfully, it didn't have much real content on it - mostly broll - but traveing in rugged areas, in a lot of different locations, and making sure that tiny card doesn't get misplaced was challenging to say the least.

When I got back to NYC, I wasn't as pleased with my material as I usually am.  Yes, the images were amazing bc of the chip in the DSLR.  But I had to really go through my footage to find non-shaky, in-focused broll (the interviews were fine bc I used my tripod but the handheld wasn't the best material I shot.)  And to top it all off, the PluralEyes software didn't work with DSLR material in Avid Media Composer (which is what I normally cut on) so I had to manually sync all my footage.  Talk about extremely time consuming and a downer.

So, for those of you planning to use these DSLR cameras for your shoots in Africa, I would suggest the following, knowing what I know now:

- Bring extra SD cards and Canon batteries (more than you think you will need.)
- Try out different lenses - the beauty of these DSLR cameras is your ability to change the glass.  I have a standard lens, a long lens and a fish eye.  
- Get a steadicam to get steadier shots (there are relatively cheap ones.)
- Use a rubber eyepiece eyecup.  They only cost $9 on Amazon and helps you see what your shooting better.  It also can help keep your checks or nose from oiling up the screen, Also good for those wearing glasses.
- Edit in FCP unless Avid fixes the inconvenience with Plural Eyes.
- Use an image stabilizing effect to smooth out shaky shots.

I ended up shooting a few more films since this film on the same camera and with a few tweaks, had much better results.  And the best part is this camera is affordable.  It has similar features as the Canon 5D that are more popular but its a lot more affordable (check the ad below for both camera and standard lens - not a bad price at all!)

YOUTH ZONES Arabic Version

YOUTH ZONES Spanish Version

YOUTH ZONES in French

Really excited to announce that my film, YOUTH ZONES (about young people in Colombia, Liberia, Lebanon, Northern Uganda and New Orleans who are helping to rehabilitate their communities after conflict and natural disasters) has been translated in French, Spanish and Arabic.  Here is the French version.  Watch and share for World Refugee Day (which is TOMORROW!!!)

World Premiere at ZIFF

Hello friends and supporters,

I've been absent from blogging here for a while but that's going to change.  I have some new films about to be released and a few new shoots that I completed this year.  Please check back or subscribe to my blog for these updates.

As for now, big news is that the mobile phone and fistula film I shot in Tanzania will be having its world premiere at ZIFF - the Zanzibar International Film Festival.  It's East Africa's largest film, music and arts gathering.  I am not much of a film festival filmmaker, but this one is an important one for me considering the subject matters I cover and of course, the fact that many of my films are shot on the African continent.

Want to hear more about ZIFF?  Here's a short film:

"In It to Save Lives" Launches

On June 22nd, at the National Press Club in DC, over 170 people turned out for the launch of "In It to Save Lives", a new film I did with USAID and PEPFAR on male circumcision and its impact on reducing men's risk for HIV infection, particularly in East and Southern Africa. Read about the launch here.

A few days following the launch, Richard Branson (Founder of Virgin) posted it on his blog. You can read his post here. His posting has helped the video get widely circulated with nearly 800 views in two and a half days. I'll be writing a blog post for the Bill and Melinda Gates Foundation next week. Keep your eye out for it!

And below, you can watch the entire 16+ minute film. It comes with a resource packet at www.aidstar-one.com/vmmc. Feel free to share.

A New Film on Mobile Phones and Obstetric Fistula in Tanzania

In the last seven years of my work as a filmmaker, I've filmmed three short stories on a devastating women's health issue called obstetric fistula - a childbearing injury that leaves women leaking urine or waste or both, continuously, for the rest of their lives. I filmmed in Niger for "Love, Labor, Loss", in the DR Congo for "Mama Madou" and in Liberia for "Freedom from Fistula." (Links to these films are online.) In all locations, it was incredibly heartbreaking to talk to women who are so ashamed and psychologically distraught about their condition that they live their lives in total isolation, away from their communities and sometimes even their families.

The flip side of this tragic story is that a growing interest in the issue has resulted in many medical programs that offer free fistula repair services. And when a woman gets a successful repair, her life takes turns around and she can begin to live her life with dignity and purpose. It transforms her in every way possible. I've seen it over and over again and it's mindblowing.

Unfortunately though, in really remote places - like the places I've filmmed - women are so far from the facilities that provide the surgeries (and many cannot afford the transportation to the facilities) - they never seek help and live with their condition for the rest of their lives.

That's why it was so exciting for me to shoot this new film on how mobile phones are changing the lives of women living with fistula. In Tanzania, where I just spent over a month working on some exciting new projects for maternal health, there is a new program by the CCBRT hospital which uses a country-wide network of "ambassadors" (healthcare professionals, or other community leaders) and a mobile financing scheme by Vodacom (called M-PESA which sends transport funds by phone) to pay for a woman's transportation to the CCBRT hospital in Dar es Salaam. It takes only a few minutes - the funds are transferred from the hospital, the "ambassadors" visit a M-PESA agent to collect the funds, and the woman gets on the bus and makes the long journey to the hospital.

Once she is there, she receives free lodging, food and treatment.

This simple process of transferring money by phone has helped double the number of women receiving treatment at the CCBRT center and the hope is that it will help not only treat the estimated 2,000-3,000 new cases of fistula that occur each year in the country, but it will also allow the hospital to address the backlog of women who have been living with fistula (I filmmed two who spent over 40 years leaking!), in essence making fistula obsolete in Tanzania.

I can't really articulate how incredible it feels to be able to tell a more positive story about these women and this issue. For the most part, it's been a primarily heartbreaking story but this is allowing me to witness and document how technology is making progress for women and maternal health in an entire country. I'm really honored to be so closely involved in this issue and to see first hand the good work that so many people are committed to doing and the effect it is having.

If you want to learn more about obstetric fistula, visit UNFPA's Campaign to End Fistula at www.endfistula.org.

If you want to learn more about CCBRT and the great work they are doing, visit here.

Thank you to UNFPA Tanzania, CCBRT, the M-PESA ambassadors and all who helped make this project possible. I'm excited to start editing!

* We just received word that the film has been accepted to the inaugural GSMA Mobile Health Summit occurring in Cape Town, South Africa from June 6-9, 2011.

Brooklyn to Tanzania: "Mama Creator"

POSTED ON MATERNAL HEALTH TASK FORCE BLOG

As a documentary filmmaker who creates films with UN/NGO agencies, I get the luxury of walking in two distinct worlds. The socially conscious creative world and the humanitarian/development world. Both are infused with passionated, committed people, both strive for social progress and both experience the webs and flows that come with the success as well as the challenges in trying to make change in the world.

As co-founder of MDGFive.com I have been working to bridge these two worlds around the issue of maternal health. And this week, I have seen the power of that bridge during a workshop taking place in Dar es Salaam Tanzania and at the he Sauti za Busara festival (East Africa’s biggest music festival that occurs in Zanzibar each year and showcases more than four hundred African musicians over five days.)

With the support of the UNFPA office in Tanzania, I brought Brooklyn based artists, Maya Azucena (an award winning singer and co-founder of MDGFIve.com) and Okai (one of NYC’s most talented percussionists and emcees) to write and record a new song on maternal health in collaboration with some of Tanzania’s top musicians. This included “Mzungu Kichaa” (a Danish citizen who has lived in Tanzania for a large part of his life and speaks fluent Swahili), Lady JayDee (known as one of the most famous R&B singers in East Africa), Fid Q (a famous emcee and hip hop artist who works with NGOs such as EngenderHealth, FHI, USAID, and others) and Mrisho Mptoto (a well known TV personality and spoken word artist). The song was produced by Ambrose “Dungu” – known as Tanzania’s most prominent music producer.

As part of our workshop, I screened my film “Not Yet Rain.” Afterward, the UNFPA Representative in Tanzania, Julitta Onabanjo, sat with all the artists and presented to us the challenges facing women in pregnancy and childbirth in Tanzania. She answered questions from the artists who then took pen to paper to start writing the lyrics. It was an inspiring process to witness, especially between artists who have such different cultural and lingual references but share similar professional and musical inclinations.

After the workshop, the artists spoke about how interesting it was to be able to interact with an institution on such a unique level. We all agreed that having the sort of access and support that we received from the UNFPA Country Office enabled us to be more on point with lyrics that can touch on the important messages and ideas about maternal health.

The song that resulted is called “Mama Creator” which is sung in Swahili and English. At nearly 4 minutes long, it is an uplifting song with a memorable chorus and strong lyrics. Many who have heard it in Tanzania believe it has the ability to become popular with local radio stations because it has so many famous musicians and is such a strong song. We also see its importance in the mission of MDGFive.com in bringing it to an international level and engaging other artists around maternal health.

The test will come when we release the song and music video on our website and through local Tanzania channels on International Women’s Day (March 8th). I’ll be editing a mini-documentary about the creative process and producing Advocacy Packets that provide guidelines to organizations on how to attract and retain the involvement of creative communities in the maternal health movement. We then hope to return to Zanzibar for the Zanzibar International Film Festival to do a live performance of “Mama Creator” with all participating artists, show the mini-doc and host film and music workshops with other artists attending the festival.

My hope is that by bringing these two worlds together around the issue of maternal health, that we draw new audiences into the fight to make the world a better place for women.

Working with artists in Tanzania for MDGFive.com

I am currently in Tanzania with two Brooklyn based artists - Maya Azucena and Okai - and we are working with some of Tanzania's most well-known artists on a new song and mini doc for MDGFive.com.

Check out the article posted on the UN wire below. I'll post more soon - internet is spotty in Tanzania.

http://www.un.org/apps/news/story.asp?NewsID=37502&Cr=maternal&Cr1

9 February 2011 – The United Nations Population Fund (UNFPA) has teamed up with a group of artists from the United States and Tanzania to raise awareness, through music, on the need to have better maternal health services in the East African nation, where deaths related to childbearing remain a serious challenge.
The collaboration, made possible with the help of the global network of artists known as MDGFive.com, just concluded a three-day music workshop with the production of a song calling for increased attention to maternal health in the country.

Goal number 5 of the eight globally agreed anti-poverty Millennium Development Goals (MDGs) calls for the reduction of maternal mortality deaths by three quarters, and the attainment of universal access to reproductive health services by the target date of 2015.

The music workshop featured MDGFive.com co-founders Emmy-winning filmmaker Lisa Russell and Grammy-winning singer Maya Azucena, and New York’s famous MC Okai, along with a group of Tanzanian stars, including Lady Jay Dee, Mzungu Kichaa, Mrisho Mpoto, FidQ, Sauda and Mama C.

The song produced at the end of the Arts and Advocacy workshop calls on world leaders to pay greater attention to the rights of women and girls, and urges the people of Tanzania to further empower, engage and encourage women as partners in development.

A short documentary film will also be produced featuring interviews with participating artists and maternal health representatives and highlighting the importance of uniting artists and activists around maternal health.

“UNFPA believes that artists have an important role in shaping opinions, informing the public and advocating for positive change,” said Dr. Julitta Onabanjo, UNFPA’s representative in Tanzania.

“While the voices of the marginalized are often not heard, the voices of artists break boundaries and are heard by all, the young and old, community leaders and policy makers, opinion shapers and development practitioners,” she added.

YOUTH ZONES

Here is some information on my recent film, "YOUTH ZONES" produced with UNFPA and the Women's Refugee Commission. Check out the film above and our website at www.youthzones.org.


Youth Zones: Dealing with the Aftermath of Conflict or Natural Disasters

In conflicts and natural disasters around the world, young people, at a crucial stage of their development, are faced with profound challenges. Emergencies often steal their adolescence and force them to undertake adult responsibilities. The structures and institutions that should guarantee their secure, peaceful development – schools, family, community and health centres – have often broken down, leaving them with little, if any, support. Access to basic sexual and reproductive health services, including information on sexually transmitted infections and HIV, is often impossible.

Yet in the midst of hardship and deprivation, young people show tremendous resilience. They raise their younger siblings, form youth groups and organizations, put food on the table for their families, conduct peer education activities, contribute to peace movements, galvanize their communities and contribute in numerous other ways to positive change.

But many of their stories are never told, many of their voices are not heard.

However, a new film, Youth Zones, Voices from Emergencies, produced in association with UNFPA and the Women's Refugee Commission, documents the lives of young people affected by conflict and natural disaster in five countries.

Emmy Award-winning filmmaker Lisa Russell, accompanied by spoken word poet Luke Nephew and youth activist Chernor Bah, facilitated discussions and conducted creative writing and poetry workshops with youth from Colombia, Lebanon, Liberia, Northern Uganda and New Orleans. The 25-minute film profiles youth who work as educators, peace activists, healthcare assistants and drama mentors in an effort to rehabilitate their communities after emergencies.

Filmmed in English, Spanish, Arabic, and Luo with English subtitles.